No Taxation Without Representation

radical\nThis reading takes place from 1741-1780. The compose is Soame Jenyns who is a member of Parliament. Colonists argon in the process of act to gain independence and rebelling against Britain term Britain is in major debt from engagement the French and Indian struggle and the colonists are now refusing to profits taxes even though, from Britains perspective the colonists shouldnt be complaining since they payn less taxes than the Englishmen who resist in the fatherland.\n\nPurpose\nSoame Jenyns explains his viewpoint on the Colonists shibboleth No taxation without original. The Colonists thrived down the stairs this shibboleth because they believed that since there werent any Colonists in Parliament that they werent world represented. However, from the British standpoint, the Colonists were considered to be Englishmen. Since they were Englishmen they were about represented in Parliament. In the excerpt Soame is disproving the Colonists slogan and list and pro viding evidence on wherefore its an invalid argument.\n\nValue\nThe writer is defending Parliament and its decisions it makes. He not only disagrees with the slogan but totally shoots it down. The slogan that is known throughout chronicle and famous is basically cosmos called absolutely not true. He was a strong believer in virtual representation and didnt understand why the Colonists had such(prenominal) an issue with it. He didnt hug why the Colonists were trying to assure themselves and deny they were British or from British decent. He mentioned how the cities of Manchester and Birmingham didnt give any representatives, but they were all the same virtually represented in Parliament. So, if virtual representation tush travel over mountains and rivers, why couldnt it travel over the maritime and pertain to America. Why did the Colonists hurl up a passage of arms about it, but the homeland cities didnt even\nthough they had to a greater extent to complain about than the Colonists.\n\nLimitations\nWe are accustomed to the Colonists side o...

Nicholas II and the Instability in Russia in 1904

How far was the disposition of Nicholas II responsible for the dissymmetry in Russia in 1904?\nNicholass temperament played a spacious role in bring to the instability of Russia; however he was non to blame for the instability of Russia. There were many coming backs with Nicholass disposition which did not help Russia, such(prenominal) as his faint-heartedness, his name of leadership and so on.\nNicholass personality was that of a shy nature because of this it increase the instability in Russia. For voice in he would a lot try and cancel or postpone any sorting of meetings in which he would control to talk with anyone, especially his officials. This meant that it essentially left the officials in direct of running Russia and it would squander approximately likely lead to the inst commensurate Russia.\nNicholass shy personality was an important work out in the instability of Russia as it meant that he would not have a good or any relationship with the Russian peop le, which was essential to have when ruling. alike it meant that he could be oftentimes more easily influenced by officials and by those around him, if a Tsar was not able to make his own finish it shows him as weak and indecisive. He even said to his proficient cousin I am not prepared to be a Tsar. I never cute to become one a Tsar who had openly show that he was not ready, clearly showed that Nicholas was going to be an issue and a weak leader.\n secondly his style of leadership, I pretend was the most influential part in furthering the instability in Russia. He had no style of leadership and his only manner or way or ruling was his thought that he had to concord his fathers rule and maintain autocracy in Russia. This efficaciously meant ignoring the disturbances created by the growing workings class in the towns who, boost by the revolutionary groups that certain in the 1890s began to organise nonlegal strikes, demanding higher wages, better conditions and a sho rter working day. In 1893, the array was called out 19 times, in... If you essential to get a full essay, order it on our website:

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Recording Industry and the Digital Age

plume\nIn this essay, several studies ar examined that illustrate the economic jounce of digital piracy on the harmony manufacture and the U.S. economy. as well(p) as examined are the changes made in copyright laws, as well as the preserve assiduitys strategies designed to take away with this growing problem.\nThe first study, through for California Management analyse in 2010, shows steady industry growth throughout 1990s quickly eroded with Napsters rise in popularity in 1999. A second study, unblemished in 2009 for the International accomplishment Review, backed up front claims made by the written text industry in federal official Court that they account for a significant portion of the U.S. blunt domestic Product. The study to a fault shows a direct correlation between increases in level sharing and decreases in sales. The mooest study examined was completed in 2009 for Contemporary Economic Policy. It offers proof that the recording industrys partnerships w ith digital content providers, is having a positive effect on consumers willingness to pay for low priced premium content. Further question is required in disposition to measure the impact these [and just to be] partnerships hurt in trim back online piracy.\n\nKeywords: digital piracy, symphony piracy, file sharing, economic impact, U.S. Copyright police\n\nCaptain Crook: wherefore the Recording Industry moldiness Adapt to the Digital while\nAccording to the U.S. Department of Commerce, the entertainment Industry [as a whole] accounts for 6% of the United States Gross Domestic Product [GDP] (Bender & Wang, 2009). Since 1999, the RIAA [Recording Industry familiarity of America] has seen sales of recorded music drop from $14.6 billion in 1999, to $7 billion in 2011 (Scope of the Problem, n.d.).\n\nThe source of the recording industrys striking losses since 1999, are the permeating number of sites that offer promiscuous uploaded music available for downloading and sharing. These sites have crippled a music industry that many matte up had been... If you want to get a full essay, order it on our website:

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The Classical Style: Haydn, Mozart, Beethoven Book Report

The unstained style: Haydn, Mozart, Beethoven\nBook narration\n\nThe Classical Style\n\nThe Classical Style: Haydn, Mozart, Beethoven is such(prenominal) a remarkable soporrain which is written by Charles Rosen. It not only explicitly introduces galore(postnominal) important aspects of Classical style, unless also beaty discusses the melodic fiberistics of those major Classical composers. Charles Rosen is knowing enough to cover so much materials with pop forbidden overlapping or skipping any other significant details so that it makes the in any book concise exactly refined.\n\nThe content is consisted with 7 part. In fact, it could be divided into both main parts: The prototypical and the second part argon basically introducing the theoratical materials: such as tonality, form and structure, ect. While the third base and the rest of the parts atomic number 18 simply focusing on three major composers and whatever of their outstanding works which be the represen tatives of the typical Classical Style.\n\nIn the both first parts of the Introduction and the second Chapter, they all deal with the comparable progeny¡ªMusical Language. Speaking of the melodic run-in of the Classical Style, Rosen tries to first-class honours degree talk of the town about it since the new-fashioned 18th century. In limit to the constant spinning¡ªout of Baroque music, the new styles were periodic. Phrases were consequent, pairing. Rosen tells us more about it: interchangeable melody in equilibrize phrases and cadences; meanwhile, they atomic number 18 quite musical and diatonic, with narrow leaps. For stop illustration. Rosen gives umteen examples and detailed analysises. By talking about the musical language at the beginning, Rosen gives the readers a do idea about the right and tonality of the music in the Classical Style so that we could have a better thought to trace his ideas which are following in the rest of the chapters.\n\nObviously, a ccording to the examples which he illustrates, no matter they are Haydn¡¯s quartets or Beethoven¡¯s symphonies, they all deal with the same kind of topics: textures and dynamisc. It seems Rosen is attempting to bulit up a strong point of views on the characteristics of the Classical Style by explaining the similarities out of those composers¡¯ music. It goes without saying that umteen new things were going on during this period. From the sample of Mozart¡¯s, we found out an individual and compact character of the new melody. It replaces the long lines and the figuration styles of Baroque. From the example...If you involve to get a full essay, order it on our website:

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Term Paper: Philosophy of Foundationalism and Coherentism

This is a term typography on philosophy of worldalism and coherentism. I started warming up to the sphere as I say The Raft and the Pyramid: coherence versus Foundations in the Theory of Knowledge, Sosa recommended that lawfulness epistemology would permit a source to the foundationalism and Coherentism problematic in epistemology.\n\n\n fictive Writing\n\nI looked at him as I tried and true to gather my thoughts, philosophy was not easy to understand permit alone explaining these far-out concepts to others, when I was not sure. Do you tell a purpose Pyramid has been used as a type by different societies and cultures it is a sign of succeeder, also it has been known to stand for a solid stem has great potential Chris looked at me searchingly as I went on, and do you know what a raft is? It the symbol of separation from danger and also shows the success of a risky venture.\n\nI started warming up to the undefended as I say The Raft and the Pyramid: coherence versus Foundations in the Theory of Knowledge, Sosa recommended that virtuousness epistemology would permit a dissolvent to the foundationalism and Coherentism problematic in epistemology. We may think of foundationalism on the symbol of a pyramid: in that respect is a structure to randomness involving a nonsymmetrical relation of control among levels, with one level having the especial(a) status of a foundation which wires in all the rest. In the just about plausible versions of Foundationalism sensory nonplus performs a vital social function in the foundation, providing a run aground for observational acquaintance from which win friendship can be contingent higher up in the structure. Coherentism counters this account of knowledge with its metaphor of the raft: knowledge is a structure that floats supernumerary of any protected key or tie. No part of knowledge is more primeval than the rest to the overall structure, all of the parts being held jointly by the ties of log ical relations.\n\n favorable shape custom do Essays, Term Papers, Research Papers, Thesis, Dissertation, Assignment, hold in Reports, Reviews, Presentations, Projects, Case Studies, Coursework, Homework, Creative Writing, minute Thinking, on the essay radical by clicking on the order page.If you want to get a full essay, order it on our website:

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Your Rx for first draft-itis

Ever Writing wel cum Startedsuffer from a bad bout of jump draft-Itis? \n\nWe all have. prototypical draft-itis refers to the various flaws that every cardinal including the author during a first read of a manuscript all quick agree should be corrected. In short, theyre common flaws that surface in first drafts. \n\nWhat are some common troubles in first drafts? In my sheer of novels, short stories and nonfiction books, I generally see: \n spell errors (usually just typos) \n Punctuation errors (especially with commas and acknowledgement marks you know, those pesky diminished rules we didnt b new(prenominal) to check into in sixth grade) \n capitalisation errors (particularly with pronouns used during dialogue) \n Misplaced modifiers (such(prenominal) as We ate the hamburgers we just bought readily really should be We chop-chop ate the hamburgers we just bought.) \n utilise vague words (the likes of intimacy) and weak verbs (like walk quite saunter) \n Shifts in verb filter out (often moving between noncurrent and present tense) \n\nMany other problems cant be quickly agreed upon and so arent first draft-itis: while turns that seizet reckon to make sense, characters acting in a way reverse to how they were previously presented, and point of suasion shifts. These issues all are a matter of craft and style. In addition, what might be perfectly acceptable in one genre, such as a romance, wont vaporise in another genre, such as literary. \n\nFirst draft-itis sure is not a problem so long as you take care of it. The shell medicine is to proofread and edit and revise, over and over, until you get it right. You dont want to target a manuscript to a literary agent or a self-publish your book on Amazon.com when its full of errors. \n\nIn short, your first draft shouldnt be your final draft. If it is, first draft-itis can be fatal. \n\n urgency an editor? Having your book, business muniment or academic idea proofread or emended before submitting it can register invaluable. In an economic mood where you face heavy competition, your committal to writing needs a indorsement eye to give you the edge. Whether you come from a big metropolis like Philadelphia, Pennsylvania, or a small town like Boring, Oregon, I can erect that second eye.

Climbing The Stairs of Courage

resolution is the act of doing what is set no matter the consequences. In Padma Venkatramans Climbing the Stairs, characters nurse not only shown endurance, but they have overcome obstacles that faced them. This specially true in the lives of Vidya, Appa, as well as Kitta. In fact, the following characters have exhibit bravery in unconditioned levelts by means ofout the novel. To begin, Vidya displays braveness through the actions of wanting to go to college, despite the traditions Vidya mustiness abide by. Furthermore, Appa conveys braveness through his acts of valour, together with the obstacles he must overcome in the freedom fighters. In addition, Kitta establishes his courage by joining the army, as well as fight along side the British. Courage is displayed throughout the actions of various characters, presenting how they overtook the numerous obstacles that faced them.\nTo begin with, Vidya conveys courage throughout her foolhardy attempts to go to college, des pite the circumstances. During a palaver with Thatha, the best occurs: Vidya gets the tenacity and courage to stand up against Thatha and talk her see: Tell me, as you dont want to marry besides, what would you do if you were given more meter? Go to college (Venkatraman 224). Vidya is expressing her state of mind to Thatha. This allows the reader to appreciate the courage it takes to go against the head of the family, even though it is a habit for women to marry and become housewives, or else than to receive a education. In addition, this event causes Thatha, a quite an traditional person to second pattern his choice on marrying Vidya rather than letting her get a education: I havent thought about it for a day, and yet I am unforced to say-to give you my word that you may go to college (225). Although the reader expects the Thatha to refuse, he instead accepts her request. In doing so, Vidya acquires what she has been desire for. This enables the reader to acknowledge t he obstacles she must ...